How was the Picture Quality of “The George Burns & Gracie Allen Collection”?

Got an email from Netflix asking how George and Gracie looked. I responded that the quality was acceptable, but that’s only part of the story. It was actually phenomenal, if you consider that I was streaming it over my iPhone with Netflix’s new streaming app. I’d say that digital convergence has arrived… I was sitting in a movie theatre, the Alamo on South Lamar, in Austin, waiting for a film, and showing Marsha the Netflix app (which wasn’t too much of a distraction from the Sudoku app on her phone). I could stream any episode of a favorite 50s television series and any of hundreds of films. We’ve been alternating Netflix streaming, more and more of which is HD, with Blue Ray DVDs. I have more media than I can possibly track, and persistent opportunities for new media experiences. I’m in hog heaven.  Marsha and I took a walk yesterday and talked about the challenge of managing anxiety of the seemingly endless possibilities vs inherently scare opportunities – making choices about how we fill our time. We’ve been working many hours lately, so our cognitive surplus is increasingly scarce.

But I’ve been making time to watch all the old episodes of “Kolchak: The Night Stalker,” and re-experiencing the 70s. (Where’s my leisure suit?)

Author: Jon Lebkowsky

Co-wrangler of Plutopia News Network, cohost Radio Free Plutopia. Podcaster, writer, dharma observer, enzyme. Former editor/publisher, FringeWare Review; associate editor at bOING bOING and Factsheet Five; writer at Mondo 2000, 21C, Wired, Whole Earth Review, Austin Chronicle; sub-editor at Millennium Whole Earth Catalog; blogger at Worldchanging. Digital culture maven, podcaster, writer, dharma observer, enzyme. On The WELL, Cohost of VC (virtual communities), Media, and Civil War (.ind) conferences.