Saw this at bOING bOING (via Cory Doctorow) and ported it over here:
In comments on the video at Youtube, someone posted this Bukowski quote:
“I think my writing is really pretty fucking powerful stuff but I think after I’m dead and safe, they’re going to trot me out, I’m going to really be discovered you know.”
Here’s another quote from Bukowski:
“For those who believe in God, most of the big questions are answered. But for those of us who can’t readily accept the God formula, the big answers don’t remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command nor faith a dictum. I am my own god. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.”
He lived 74 years, which is longer than you might expect if you knew something of his habits. He drank heavily, perhaps he was pickled? He also wrote a lot, and his writing had power.
air and light and time and space
by Charles Bukowski
“–you know, I’ve either had a family, a job, something
has always been in the
I’ve sold my house, I’ve found this
place, a large studio, you should see the space and
for the first time in my life I’m going to have a place and
the time to
no baby, if you’re going to create
you’re going to create whether you work
16 hours a day in a coal mine
you’re going to create in a small room with 3 children
while you’re on
you’re going to create with part of your mind and your
you’re going to create blind
you’re going to create with a cat crawling up your
the whole city trembles in earthquakes, bombardment,
flood and fire.
baby, air and light and time and space
have nothing to do with it
and don’t create anything
except maybe a longer life to find
Via Londonist: “The Japanese word ‘Souzou’ has two meanings depending on the way in which it is written. Written one way, it means creation and written the other way, it means imagination.” Art for art’s sake…
Bruce Sterling’s been “Visionary in Residence” again this summer at the Pasadena Art Center, where he’s been in cyborg mode, focusing on augmented reality, or reality augmented and mediated by computer-generated sensory input. Bruce has developed an application that runs on the Layar platform, called Dead Drops, inspired by the work of German media artist Aram Bartholl, which per Sterling is “all about hidden data revealed in real-world, three-dimensional spaces.” A Dead Drop is
an anonymous, offline, peer to peer file-sharing network in public space. USB flash drives are embedded into walls, buildings and curbs accessable to anybody in public space. Everyone is invited to drop or find files on a dead drop. Plug your laptop to a wall, house or pole to share your favorite files and data. Each dead drop is installed empty except a readme.txt file explaining the project.
It’s sorta like geocaching, where the cache is digital, and anybody who finds the drop can add to it. The application Bruce has developed is for finding and mapping the drops.
Wired features outsider art by Ken Grimes, a schizophrenic who creates “outsider art” including ufos and alien imagery. This reminds me of Bill Barker’s “Schwa” imagery, which was part of the FringeWare scene in the 1990s. What’s that buzzing sound?
At Pink Tentacle, view all the weirdly fascinating images on the Kaikidan Ekotoba monster scroll, “a mysterious handscroll that profiles 33 legendary monsters and human oddities, mostly from the Kyushu region of Japan (with several from overseas).” Example below: a Russian hitodama, or fiery apparition composed of spirits of the recently departed.
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